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Wednesday, December 3, 2025

Armitage Shanks! ( 021225 )

 




                                                               

                                                                    Francis Bacon, from Triptych, 1973. 



Armitage Shanks!

 

 

 

O the solemness of the solemn solemnity,

O  upon my rostrum, my heart skips a beat beat;

May my platitudes be as unending

As the cascades of turds dropping into my Golden Throne!

 

“We’re doing everything we can to return our …”

The sphincter contracts and expands,

From labials to labials expelling shit, expelling air;

T’is all the same in the mouth of a sycophant.

 

And, yes, what of John F. Kennedy and the Monroe Doctrine?

And what of NATO expansion in all of it?

150 000 000 turds are falling into the golden pool!

 

And yes, what of John F. Kennedy and Marlyn Monroe?

“Don’t Cry for me Hibernia!”

Egad, I think I’ve got another stool!





 

Friday, October 31, 2025

The Vitruvian Woman - a poem for Halloween


                                                                      

                                                    



https://cassandravoices.com/culture/literature/poetry/poem-vitruvian-woman/ 


 

Click on the link above to see my latest publication on Cassandran Voices edited by Frank Armstrong who has been consistently supportive of my work since Daniel Wade introduced me to him some years ago. I'd like to express my appreciation to Frank and all of the other editors like him who remained loyal to me over the years, without editors like Frank Armstrong my writing would have never had a proper platform. These days, this has become more and more important. Maintaining consistency and being true to your own individual style is absolutely crucial, particularly today when censorship is a very special problem. I mean it was always an issue with me in my own c(o)untry, the Reublic of Ireland, I have always had problems getting published there. I still haven't had a single book, out of the several I have published elsewhere over the years, published in the Republic. Why is that? 

I have no real idea, really. I mean it's not as if I haven't tried over the years. Even as recently as last year, I was trying to find a publisher for my first novel, The Fetishist, and despite publishers praising the 'obvious' merits of my writing, they still passed when it came to publication. I mean, what can you say after forty years! I have obviously given up scratching my head about that one. But, one thing I can definitely say is that despite all the talk about so called modern Ireland, it still remains, at least to me, as one of the most repressive and particularly stifling places to live and write, which for me, don't get me wrong, is actually a good thing. Writers strive under repressive regimes, Stalin knew this. 

Am I comparing contemporary Ireland to the former Soviet Russia? Not at all, but what I am saying is that censorship and repression has always been a fundamental aspect of Irish life ever since I was a young man in my teens. The nineteen eighties, for God's sake, where among the most repressive times to live in this c(o)untry which is why I got the hell out of here as soon as the opportunity arose, which was back in 1989.  

Having spent the majority of the nineties travelling around Europe, and particularly in France where I lived for several years, to return to the Boom period of the Celtic Tiger was a truly phenomenal experience, and I wouldn't have missed experiencing at first hand the tremendous economic and social changes that we experienced over the last two decades and a half. However, culturally this place has gone to the proverbial dogs ridden as it is with ideology, particularly in the very narrow world of literature and poetry. I have enough experience now with over a decade of engagement with public readings, publications and festivals etc. to be able to voice an objective enough eye on the whole sham that is the so called art scene in the Republic of Ireland today. The above poem, Vitruvian Woman, which I dedicated to my wife Laura, says more than enough about a particularly woeful aspect of the arts here. I rest my case. 

Other news, not completely unrelated, I am currently putting together a Selected Poems with the title Nasty Jokes and the poems are all taken from the several collections already published and a few, such as the poem above, that have been taken from my latest collection The Rose Garden and which remains unpublished. 

The dates on the work are 1985 - 2015, which is a period of 40 years. That's a long time to spend doing a particular thing, in my case poetry. So, one thing that strikes me over the amount of work that I have done in all this time is that there is a very evident style that comes through, and humour is one of the key aspects of my poetry or verse. It is a very rare thing, you know, to be able to maintain humour consistently in your work. Of course, it's never really appreciated by the so called establishment, but then, I never got into poetry and the arts in general to become past of the establishment. Respectability has always been the death knell for the arts, yet, curiously it still remains a hugely enticing beast for a lot of the so called poets and artists that reside here. Whatever, let them have their respectability.  I'll plough on. 

 

Oh, another thing, I have been putting together chapters of The Heraclitean Principal , my fourth novel and which will finally tie up The Deplorables Trilogy of books which begins with The Fetishist. There is a novel competition held in London annually in the spring and if I have it finished by then, I will submit it. But, it may take me well into the summer to finish this most crucial of novels which will be mainly set in the eighties in Cork. 

 

There ya go now boi!




Friday, October 24, 2025

The Eternal Return - Paddy Kavanagh & Homer


    


                                                                       Eternal Return

 

 

My sixteen year old daughter comes to me to complain about

Patrick Kavanagh.

O great irony, hardly are the words out of her mouth

And I can see those fucking potatoes,

The drills and the furrows of old bloody Monaghan!

 

Why do we do it? Why does every generation get subjected

To this kind of shit?

Isn’t Life bad enough without having to force poetry

About bleeding potatoes down their bloody throats!

 

And then, just as I am almost in despair,

And I’m a bloody poet myself,

Her voice pipes up again, and she adds;

“Although, Epic isn’t half bad, at least he mentions Homer!”

 

I see again my reading of the poem through her eyes,

When I too saw the ancient importance ricocheting

In Paddy Boy, as she too recognised the importance of Homer

 And his epic take on Life.


Staring across the kitchen table at her,

With not a potato in sight,

I somehow saw the great blind ancient hovering above us

Monumentally human, whispering to us both

Across the infinite.






   

Monday, October 20, 2025

The Damned - after Baudelaire



                                                                          The Damned 

 

Delphine & Hippolyte

 

 

 Out of the pale clarity of the languishing lamps,

From the depth of the cushions impregnated with scents,

Hippolyte dreams of powerful caresses

 Raising the curtain on her young candour.

 

She searches, with a troubled eye lost in the tempest,

In her naivety with the sky at once distant,

Like a traveller turning their head

Towards the blue horizons exceeding the morning.

 

Through her absorbed eyes the languorous tears,

The desolate air, the stupor, the mournful volupté

Her vanquished arms outspread like two discharged guns,

Everything served, it would appear conforming to her fragile beauty.

 

Strong beauty than down on her knees before frail,

Superb, she inhales voluptuously

The wine of her triumph, and leans forward towards her,

As if to gather a gentle acknowledgement.

  

She searches in the eye of her pale victim

The mute canticle which pleasure sings,

And that infinite and sublime gratitude

Which dissimulates from the pupil like a great sigh.

 

“Hippolyte, dear heart, what say you of things?

Do you understand now that you should not offer

The sacred holocaust of your very first roses

To the violent winds that could decimate them?

 

My kisses are as light and as ephemeral

As those caresses that pass over the great transparent lakes,

And those of your lover plough up furrows

Like ploughshares ripping through the earth;

 

They pass over you like a heavy team

Of workhorses or oxen with pitiless hooves…

O Hippolyte, my sister! Turn your face to me,

Turn towards me, my sweet soul sister, my other half, my all!

 

Turn your eyes towards me full of azure and stars!

For one of those charming looks, divine balm,

Obscure pleasures can unfurl like so many sails

Lulling you into a dream without end!”

 

But Hippolyte, raising her young head responds:

“ I am not such an ingrate, and certainly do not repent,

But, Delphine, having said that, I suffer just as if I have

Eaten some terrible super and can’t sleep.

 

I feel some terrible dread bearing down upon me

And the dark ghost battalions fragment,

And wish to manoeuvre me into oscillating paths

Upon which a blood horizon secretly encroaches.

 

Have we both not committed some strange deed?

Explain to me, if you can, my trouble and fright ;

As I tremble with fear when you say to me: “ My Angel!”

And, yet, I feel my lips approaching yours.

 

Don’t look at me like that, I beseech you!

You whom I love like no one else, my elected sister,

Though you are nothing less than a beautiful trap

And the cause of my complete perdition.

 

Shaking her tragic mane, Delphine,

Stamping her feet like a tripod of iron,

With a fatal eye, responds with a despot’s voice :

“Before Love, who then dares to speak of Hell?

 

In the things of Love, who then would speak of Honesty!

Damned forever would the deluded dreamer be,

In their utter stupidity to be the first too

To fall into that sterile and unsolvable problem!

 

Those who would wish to unite such a mystic accord,

 Like the shade with the heat, the night with the day,

Will never heat their paralytic corpses

With the red sun that we call Love.


Go, if you want, and find some stupid fiancé:

Offer your virginal heart to his cruel embraces;

And, full of remorse and livid horror,

You’ll return to me with your stigmatised breasts…

 

We cannot here below be a slave to one sole Master!”

But the child, taken hold as if by some immense pain,

Suddenly cries out: “ I feel taking hold of my Being

A great abyss, and this abyss is my heart!

 

Like a volcano it consumes me, as profound as the void.

Nothing will satiate the whimpering monster,

Just like the thirst of the Eumenides cannot not be sated,

Yes, with torch in hand, your blood thus will burn.

 

Would that a great theatre curtain could separate the world,

And that our lassitude bring forth strength!

I want to annihilate myself in your profound gorge,

And find upon your breasts the appeasement of the tomb.”

 

Descend, descend, descend, lamentable victims,

Descend into the eternal pathway to Hell,

Plunge yourselves into the most profound gulfs where all crime,

Flagellated by a wind which does not come from the sky,

 

Buffets pel mell with the noise of a storm.

Crazed shadows, run, follow to the end all of your desires;

But never will you be able to appease your rage,

And the torment of the birth of all of your pleasures.

 

Never will there be a fresh light to illuminate your caves;

Not through the cracks the feverish misaims,

Filtering in through the licking flames by the light of the lanterns

To finally penetrate your body with their awful perfume.

 

The sterile asp of your mutual pleasures

Alters your thirst and preys upon your skin,

And the furious wind of your concupiscence

Makes your flesh rip like an old flag.

 

Far from the living, condemned and errant,

Through great deserts do you run like wolves;

Make your own destiny, disordered souls,

And try to escape the infinity that you bear within.





 

Wednesday, October 15, 2025

Hautefeuille - Halloween poem


 


                                                                                    

Hautefeuille

 

 

Catastrophe charged with the body's many diverse

Singular convulsions, a whole plethora of hybrid fantasies

Which stoked the fever of numerous generations,

And uncountable revolutions of the spirit, inflicting malaise!

 

Some would say that you were born under a bad sign, and quite literally;

The pallor setting numeral which sets all the triskaidekaphobists alight,

Gothic aspect also in the form of the turreted house;

You couldn’t make this stuff up!...

 

The habitat long since having been erased from memory,

And simply from the streets of your beloved Lutece,

The Lutece of Andromache and Le Cygne.

 

Andromache and the glistening swans, the delicate ballet

Gently floating down along the banks of La Seine…

The serpentine muscle of the glistening Seine! 

 

 

Tuesday, October 14, 2025

Saint Peter's Cathedral, Caen, 2025


 




                                                                                   

Saint Peter’s Cathedral

Caen, 2025

 

 

Passing the final hours in the city,

You enter through the great door of the cathedral,

Pass beneath the almost subterranean knaves,

Whose great petrified limbs interconnect like the canopy of a dark wood

 

Above you, then, man’s great enigmatic obsession for analogy

Continues… and walking slowly, respectfully,

You witness the phenomenon of all the Christian iconography,

Which you haven’t experienced in years.

 

Then, some images taken from a probe,

Some great lens which breached the impenetrable heavens

Only to steal snapshots of the absolute immensity of the cosmos;

 

The great spire suffered a direct hit during the events of 44,

Taking out also the old organ. Both have been reconstructed now,

Out from all the faceless, and nameless dead.

 

 

Sunday, October 12, 2025

LESBOS - After Baudelaire


 



                                                                               

Lesbos

 

 

Mother of all Latin sports, and Greek volupté,

Lesbos, o the kisses joyously languishing,

Warm like the sun and fresh as melons

That ornament the days and nights with their glory;

Mother of all Latin sports and Greek volupté.

 

Lesbos, where the kisses are like cascades

Falling fearlessly onto the bottomless pits

And running, bleeding, giggling, jerking,

Storming secret the formulating depths;

Lesbos, where the kisses are like cascades.

 

Lesbos, where the Phyrnes are attracted to one another,

And where a sigh never falls without an echo,

Like in Paphos with only the stars admiring

So Venus has every right to be jealous of Sapho!

Lesbos, where the Phyrnes are attracted to one another.

 

Lesbos, land of warm nights languorous,

 Making out to their mirrors, sterile and voluptuous,

The girls with rabid eyes, their beloved bodies,

Caressing the ripe nubile fruit:

O Lesbos, land of warm nights voluptuous.

 

 

 

Leave old Plato wrinkled with an austere eye;

You can receive your pardon from an excess of kisses,

Queen of this gentle empire, friendly and noble land,

 With so many refinements always so plentiful.

Leave old wrinkled Plato with an austere eye.

 

You extract your pardon from the eternal martyr,

Inflicted unceasingly on ambitious hearts

Who attract far from us the radiant smile

Interviewed vaguely on the border of the heavens!

You extract your pardon from the eternal martyr.

 

Which of the Gods dares to judge you, Lesbos,

And condemn your pale forehead to labour,

If the golden balance does not weigh with the deluge,

Have all the tears of the sea fallen in the streams?

Which of the Gods dares to judge you, Lesbos?   

 

Who among us wants the judgemental laws?

Virgins with sublime hearts, honour the archipelago,

Your religion like any other is august,

And love laughs in both Hell and the Heavens!

Who amongst us wants the judgemental laws?

 

For Lesbos, among everyone, chose me on this earth

To sing the secret of her virgin flowers,

And I fled childhood to be admitted into her dark mystery,

Unbridled laughter mixed with sombre tears,

For Lesbos, among everyone, chose me on this earth.

 

And since I have aged upon the summit of Leucate,

Like a sentinel with a sure and piercing eye,

Who watches night and day, tartan or frigate,

All of those forms that appear tantalisingly on the horizon;

And since I have aged upon the summit of Leucate,

 

To see if the sea is indulgent and good,

 Among the tears that the rock retains

One night brought Lesbos bound, who pardons,

The adored corpse of Sapho, who parted

To see if the sea is indulgent and good!

 

To the male Sapho, lover and poet,

Even more beautiful than Venus with his mournful pallor,

The azure eye vanquished by the black spotted eye

Circling the darkening regions marked by suffering;

To the male Sapho, lover and poet.

 

More beautiful than Venus erected for the world

Pouring all the treasures of serenity

And the reigning light of blond youth,

On the old ocean of her enchanted daughter;

More beautiful than Venus erected for the world.

 

For Sapho, who died on the day of her own blasphemy,

When, insulting the rite of the invented cult,

She made of her beautiful body the supreme pasture

With a brutal pride punishing impiety,

To she who died on the day of this blasphemy.

 

And since this time that Lesbos laments,

And despite the honours that she is given by the universe,

Every night intoxicated with cries and torment

 They are pushed towards the vast deserted deserts,

                                                       Ever since the time that Lesbos laments.